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SKETCHBOOK A DRAWINGS

These are drawings from one of my earliest surviving erotic sketch books. The sketchbook in question was filled in 1978/1979, when I was in my second year of college. These drawings were executed while I was still a virgin, before I had tactilely experienced another man’s body (especially, the bodies of the father figures that were my primary erotic obsession). Lacking first hand experience, I assumed men in their late 40’s, 50’s and early 60’s would have the bodies of men in their 20’s and 30s. 

Later, when I started actually getting laid, I discovered this was inaccurate, but it didn’t dissuade me from my preference. Instead I became a connoisseur of drooping flesh, distended abdomens and penises that couldn’t get reliably erect. 

To be honest, I find these drawings, done in my late teens, somewhat embarrassing. But Robert Crumb (one of my heroes) has posted his early artwork, so I figure I should as well.

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Daily Derrière

Yin Yang 2

This illustration is based on the taoist “Ying Yang” symbol. It’s called “Ying Yang 2” because it’s the second time I’ve tried to evoke this symbol when depicting a love-making couple. This time, I drew the image entirely using Prismacolor colored pencils.

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Gentle Touch #2, The Daily Derriere, April 16, 2017

This is another drawing from the erotic sketchbook I kept in the mid-80’s, drawn with Prismacolor pencils on randomly tinted sheets of sketchbook paper.

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THE DAILY DERRIERE, AUGUST 17, 2016, RICHARD’S RUMP

This is a Prismacolor sketch of my husband, Richard Rangel, specifically his butt.

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DAILY DERRIERE, MAY 9, 2016

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THE DAILY DERRIERE, MAY 7, 2016

This is painted on the reverse of a flyer for Golden Apple Comics that I gessoed (mixed with red paint). The drawing is in black Prismacolor, painted into with gouache. Since it’s been cropped to 8″ x 10″ I assume it was included in the “Recycled Erotica” exhibition.

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THE DAILY DERRIERE, MARCH 31, 2016

This drawing was done with Prismacolor pencils, which I like because of the way it can be layered and is slightly erasable but not super-prone to smearing, as is the case with pastels and charcoal.

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THE DAILY DICK, OCTOBER 15. 2013

This drawing was done with
Prismacolors. I painted the background with off-white acrylic paint.

Prismacolor was my favorite media for working in color before I went to art college. I
still have a soft spot in my heart for them. I like being able to layer colors
and achieve subtle effects with them. Unlike watercolor, they are extremely
forgiving. They don’t demand commitment.

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THE DAILY DICK, SEPTEMBER 25, 2013

This drawing continues in the same vein as
yesterday’s— even the same penis spaceship, from a different angle. I drew it
in Prismacolors, punched up with white gouache to make it stand out from the
background photo.

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THE DAILY DICK, SEPTEMBER 11, 2013

I’m jumping ahead a few days
(re-the ordered sequence of drawing in my “Daily Penis” sketchbook that I began
on August 26. 2012 and completed on November 27th of the same year);
it seemed important to post these drawings (or, at least, the last one) on this
day.

I started working with cut paper a few days before I did these. I’d cut the shapes out, glue them down, at this point with Elmer’s glue, then draw back into them with Prismacolor or whatever I was using at the time.

The first and second
drawings work together. I cut a slit in the butt page and can slide the
partially adhered dick on the facing page through it, getting the whimsical
effect on the first drawing. When people turn the page they are surprised to
find the dick caught in the ass on the facing page. I have to caution them to
take care in extricating the dick.

The
third drawing pretty much speaks for itself. Anything I write will interfere
with audience projection.