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THE DAILY DERRIERE, FEBRUARY 23 , 2016

This drawing is fairly simple but not as abstract as the two recent drawings. This one is more like Kirby or Bruce Timm than Matisse or non-Cubist Picasso

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THE DAILY DERRIERE, FEBRUARY 21, 2016

This drawing and yesterday reminds me of Matisse and Picasso’s non-cubist etchings. If I do say so myself/

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THE DAILY DERRIERE, FEBRUARY 20, 2016

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THE DAILY DERRIERE, FEBRUARY 19, 2016

I’m going back on yesterday’s word almost immediately; I drew this
last month. I was drawing Spiderman, but decided to make the figure a random
nude man. What the hell, it’s my party and I’ll draw nude men if I want to.
You’d draw nude too if it happened to you.

I’m also flashing on “14 Hours”, starring Richard Basehart as
Richard Cosick, a disturbed young man standing on the ledge of a NYC skyscraper
threatening suicide. The movie subtly hints that Cosick (dig the name) has
serious unresolved issues with his sexuality (as in, he’s gay but it’s a movie
from 1951 so they can’t come out and say it). Barbara Bel Geddes plays his
fiance´, and his mother is Agnes Moorehead, which would fuck anybody up. Cosick
stays fully dressed throughout the movie however.

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THE DAILY DERRIERE, FEBRUARY 18, 2016

 I sketched this drawing in my daily journal during the period in 1993 when I was illustrating “The Mark” for Dark Horse Comics. Even as I write, I’m doing a daily blog on Facebook, and on my www.raderofthelostart.com website, posting a page of the uncollected graphic novel and writing a short essay about the page or life events of that time, or of my philosophy of art or whatever else I deem appropriate on any given day I happen to be writing. In any case, I’m combing through my old journals  to see what thoughts are spurred. In doing so, I ran across this sketch. Over the next few days ‘ll be posting drawings from my 1992-1993 journals.

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THE DAILY DERRIERE, FEBRUARY 17, 2016

Imagine that you’re watching
Alfred Hitchcock’s movie, “The Lodger”. Hitchcock needed to show his
characters, on the ground floor, reacting to hearing their tenant (the titular
Lodger) walking around above them in his second floor apartment. But it was a silent
movie, so Hitchcock resorted to constructing a glass floor on the sound stage
and photographing up through it to show a man walking around (from underneath).
This drawing is inspired by this sequence, though, in the movie, if the lodger
had been walking around nude the people downstairs wouldn’t have been able to
hear him.

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THE DAILY DERRIERE, FEBRUARY 16, 2016

This drawing was also probably done for last year’s  “Inktober” daily drawing challenge on Facebook, but I’m posting it in this context because it’s a drawing of a butt, a Bob’s Burgers Butt, not that this means anything anymore.

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THE DAILY DERRIERE, FEBRUARY 15, 2016

This drawing gives a whole new meaning to “anal sex”. This drawing was done as part of last years “Inktober” daily drawing challenge, but I’m re-posting it now.

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THE DAILY DERRIERE, FEBRUARY 14, 2013

HAPPY VALENTINE’S DAY.

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THE DAILY DERRIERE, FEBRUARY 13, 2016

 This drawing has nothing to do with derriere, but it’s vaguely homoerotic so I’m posting it here.