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“Down Low With Luigi #6, The Daily Derriere, March 10, 2017

This is a series of drawings illustrating a sexual fantasy from my late 80’s erotic sketchbook. This series, which I today call “Down Low With Luigi” is very similar in theme and plot to the “Down Low With Lou” series, except my “clone of desire” is a vaguely mafiosi type of dude rather than Lou Grant.

My parents gave me “The Art of Disney  Animation” when I was 10 or 11 years old. At this time I decided I would become an animator myself, a successor to the “9 Old Men” who were responsible for the classics  from the golden age of animation. However, I couldn’t draw the same thing twice, let alone 24 times per second, so I decided to draw comic books as practice. By the time I was 13 I had lost interest in animation, totally smitten with comic books. Ironically, I fell into animation upon graduating from art school; I was living in Los Angeles and, at the time, would have had to move to New York City, something beyond me. In retrospect, I know none of this was true, but I didn’t know it then. In any case, I’ve spent the majority of my professional career working in animation, on doing comic books on rare occasions. 

This page comes from my animation training, and because I was training myself to be able to design and maintain a specific likeness. 

Apparently I was hot for Al Capone.

Interesting side note: Edward G. Robinson, who got his career start playing Italian-American hoodlums, was Jewish. As is Ed Asner. As is my husband.

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“Down Low With Lou #21”, The Daily Derriere, March 1, 2017

While prepping this series of archival illustrations, I got the idea for a new one, Or to be more precise, I drew this then realized it could fit into the “Down Low With Lou” series with minor alterations. Drawn with light blue Colorerase pencil and medium gray Tombo brush pen.

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“Down Low With Lou #20”, The Daily Derriere, February 28, 2017

I painted this in my masturbation sketchbook using the technique learned in art college: dark mid-tones first, then work progressively lighter and darker, hitting the highlights and darkest darks last. I used opaque watercolor (goauche).

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“Down Low With Lou # 19”, The Daily Derriere, February 27, 2017

I painted this with opaque watercolors (gouache), Then drew the line work with india ink. The body hair was probably painted with thinned out gouache on top of the india ink.

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“Down Low With Lou #18”,The Daily Derriere, February 26, 2017

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“Down Low With Lou #17”, The Daily Derriere, February 25, 2017

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Down Low With Lou #16, The Daily Derriere, February 24, 2017

As one can see from yesterday’s head turn on Ed Asner, my reference-free attempt at drawing Lou Grant is somewhat different. Actually, looking at the two versions side-by-side, I like my fantasy version somewhat better. The man on the right is the somewhat idealized version of myself.

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“Down Low With Lou #15”, The Daily Derriere, February 23, 2017

Last night I pulled out my DVD boxed set of “The Mary Tyler Moore Show Season 1” and did this head turn off freeze frames of Ed Asner. Hmmm. Not there yet. Stay tuned.

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“Down Low With Lou #13/14”, The Daily Derriere, February 22, 2017

The series of drawings I’ve come to call “Down Low With Lou” was executed in December ’88, January ’89. After having pursued it to the point where I found it had legs, I decided to pin the “Lou” character down with a more formal character design. Since I had been employed for a half decade in the TV Animation industry by that time, that meant a head-turn. If I’d really been into it, I’d have done a 3/4 besides the profile and front, and maybe a full body turn as well, with a page of attitude drawings. This would have all be good practice for one of my career goals, transitioning from storyboards to character designs, or, at least, getting to do both, like my hero, Alex Toth.

Note that I was working with out reference, so the drawings only look like Ed Asner in a general sense.

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“Down Low With Lou #10, The Daily Derriere, February 19, 2017