Drawn from life. Same guy as yesterday’s Daily Derriere, 3 months later. This time he doesn’t have a beard.
I sketched this 5 days after the last 2 Daily Derrieres. This was done with Tombo color brush pens, drawn from life.
According to the date in the margin, I sketched this on the same day as yesterday’s Daily Derriere. I don’t recall; it all blurs together. But dates in the margin don’t lie, I suppose. I must say, I seem to have been on a roll. Both yesterday and today’s drawings are quite good.
I sketched this with a black ball point pen. I don’t have much else to say about it.
This drawing was inspired by one of Hank Ketchums “Dennis the Menace” cartoons from the early 60’s. Ketchum was in his prime, his elegant, precise yet freely abstract line delineating almost Japanese woodblock compositions. Around the time I drew this (2006), I had a friendly argument about the relative merits of Charles Schultz vs. Hank Ketchum. I preferred Ketchum, he Schultz, favoring the radical simplicity of the latter’s compositions to the former’s more ostentatious arabesques. I can see his point, but I like what I like.
I drew this for “Chiron Rising”, a porn mag dedicated to 60+ men and their admirers, back in 1989. when I was 30 or about to turn 30. At the time, 60+ was trending a bit on the old side for my tastes. Now that’s my peer group; men in my preferred taste range (35 -55 years old) are now YOUNGER MEN. My 52 year old husband is a YOUNGER MAN. Ed Asner, when he started playing Lou Grant in 1970, was in his early 40’s. He was my adolescent ideal of the erotic father figure, and now the character he played, at the age he started playing Lou Grant, is young enough to be MY SON, if I had children. Trip out or what?
The original of this sketch was a gift to Ralf Koenig, writer/illustrator of “The Killer Condom” and “Maybe… Maybe Not” among many other literary tomes. I sent him my own tome, “Harry & Dickless Tom”. He was appreciative.
This is dedicated to all the first responders on that fateful day in NYC 15 years ago this very day.
This was drawn (probably) in 1987, in one of my jerk-off sketchbooks. It features two characters from the animated TV series, ‘C.O.P.S.’. I forget what the letters stand for, if I ever knew.
By the way, animation geeks may remember that Peter Chung (later to create ‘Aeon Flux’) story-boarded and animated the ‘C.O.P.S’ series title sequence.
This is for any lesbian fans (or fans of lesbians) I might have.
This drawing was part of a one man show I had in the summer of 1989, at the One Way, a levi/leather bar in Los Angeles, California, that I frequented in the late 80’s. The name of the exhibition was entitled “Recycled Erotica” because the majority of the works were executed on waste paper— the backs (or fronts) of photocopy fliers, or disassembled, then gessoed, grocery bags.
