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2010 Erotic Arts Fair Sketches





I attended the Tom of Finland Erotic Arts Fair in West Hollywood Park on Sunday. I went to see some friends and to do life drawings. There were 3 models in the 2 hours I sketched. They were all muscular, but not overly so, and all totally hairless. I found this somewhat annoying; I like body hair. Also, the total lack of body fat on any of the three was… what? alienating? A friend of mine griped about it: “Why don’t they use normal looking guys occasionally?” Looksism, I guess.

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More Erotic Drawings



Sorry for the long absence, but I haven’t been doing much erotic work lately. I’m posting my latest sketches.

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3 New Sketches




I did these drawings recently; I hope you enjoy. I’m trying to develop a style using ballpoint pen. I recently saw the R. Crumb exhibit of his original art for the “Genesis” graphic novel. I’m totally envious of him for having such an iconic style. I’ve been spending my whole career in animation imitating other people’s style; at this point, I’m not even sure what my style is.

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My Beautiful Career Installment 1

My Beautiful Career
Installment 1
This is my story. It’s the tale of a young man growing up in Alaska who has a dream. His life journey is complete with adventures, life changes and career opportunities he never could have imagined. Like most good stories, there are many twists and turns. Here we go.

I’m the fourth child of 6 with 2 older brothers, an older sister, and 2 younger sisters. My family moved to Alaska in 1963, when I was 3 years old. My father followed his older brother, Uncle John, to the land of the Midnight Sun. “It’s the land of opportunity”, Uncle John proclaimed, and he would have known; he was the first Attorney General of Alaska when it gained statehood in 1959, and served as a State Senator throughout the 1960s and early 70s.
Mother was an ex-grade schoolteacher. Father was a Freudian analyst, the only one in the state for several years. I joke with my friends who complain of Catholic or Jewish damage that I grew up with Atheist-Freudian-Skinnerian damage.
As a child, I loved animation, especially Disney and Warner Brothers cartoons, and the Hanna Barbera action adventure TV shows designed by Alex Toth. In 5th grade I wished everything I watched on TV could be an animated cartoon, even if (or especially if) it was the cheapo Filmation kind, where characters would slide across the screen, cut off at the waist to avoid animating walk cycles.


My parents sealed the deal when they gave me the book “The Art of Disney Animation” for my 11th birthday. I decided I was going to be a Disney animator in the footsteps of Milt Kahl and Frank Thomas. The book decried, in its final chapter, the lack of inspiration in the up and coming crop of young animation artists. I vowed to reverse that trend single handedly.

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The Amsterdam (and Paris) Trip, 2005 — Part 8 of 10

The following is a journal excerpt from my January 2005 trip to Amsterdam for the mounting and opening of my one man art exhibition at Mr. B’s. I will post a new section of the ten-part story each week. Enjoy.

8:25 a.m. Wednesday, February 2, 2005

We’re booked on a 2:00 p.m. tour of the Louvre, which will pick us up at the hotel at 1:45 p.m.

Yesterday morning we found we’d attempted to book the city tour too late Monday night to make the 8:30 a.m. tour. So we took the Metro to the Louvre anyway, to see if we could tour it on our own. In the Metro station, across the tracks from where we awaited our train, I saw an unforgettable, unbelievable sight: a billboard for a joint exhibition of two or my all-time favorite artists: “Miyazaki (Haiyo Miyazake, the Japanese “Anime” director of 4 of my all-time favorite movies in any genre: “Castle Cagliostro,” “Nausicaa,” “Laputa,” and “My Neighbor Totoro”) and Moebius (the alias of Jean Giraud, genius French comicbook artist, creator of “The Airtight Garage,” “Arzach,” and “Lieutenant Blueberry”) at some unknown exhibit hall somewhere in Paris. I forced John to wait, missing one train, as I quickly wrote down the info & resolved to try to get to see their exhibition before we left Paris.

The Louvre Metro station was part of a huge subterranean shopping complex. Everything was still closed (it was only 9:00 a.m.). I saw a shuttered art store, thought I might go in there later to see if they had any info on the M/M exhibition.

We ascended to the Louvre courtyard. We saw the glass pyramid, designed by I.M. Pei. Actually, we saw, while still underground, another, inverted, glass pyramid hanging from the ceiling, not quite touching noses with a much small cement pyramid rising from the floor. We found out later that this was also designed by I.M. Pei. John was tripping out that all of this was in The Da Vinci Code

We discovered that all national museums are closed on Tuesdays, so we were there on our own until the city tour convened at 1:30 p.m. We returned to the underground shopping mall. The stores were now opening, including the art store. The clerk there told me that the M/M exhibit was within walking distance, just the other side of the Seine. So John & I parted company, and I set out, following the clerk’s directions.

These turned out to be somewhat ambiguous, complicated by the fact that, like Florence, the street names changed every couple of blocks. Also, “across the Seine from the Louvre” is a pretty big across. The Louvre, including the Tuileries gardens, is about three football fields long. Eventually I found the building—an ex-government office directly on the Seine. I arrived after 11:00 a.m.—I figured I shouldn’t stay much past noon, not knowing how long my return trek would take. I spent the majority of my time watching a French documentary on Miyazaki & the making of “Princess Mononoke.” Interestingly, it was French subtitles over Japanese conversation. Alot of it I could figure out anyway. There was another docu on Moebius (also in French) running on the other side of the room. I watched the Miyazaki docu until 11:50; then I tore myself away to give the rest of the exhibit a quick once-over. Fuck! Too much to see. Several rooms full of artwork from the breadth of both artist’s long careers. The Moebius parts were illuminating: it showed a large selection of his film design work, both in live action and animation, of which I was only tangentially aware. I stayed on until 12:15 p.m., buying the program book of the exhibition on the way out. I took the metro back to Cadet, stopping by McDonalds for a Big Mac.

The amazing synchronicity of my chance observance of the M/M billboard and the narrow window of opportunity in which to see it was not lost on me. When I arrived in Paris Monday night I had not the slightest idea I’d be blessed with the opportunity to see this incredible exhibition by not one but two of my all-time top ten favorite artists in any medium. Thank you God, Satan, Krishna, Buddha, or whatever.

The city tour was something of a surprise. Instead of one of those big tour busses, we had a little mini-van. Our driver was from Finland, but a French citizen for 30 years. After picking us up, he went to another hotel for a middleaged Irish woman and her 2 young adult daughters. An hour later, the driver swung by the Seine departure point for our later river cruise and picked up a Nisei from Houston, TX and his infant son. It was odd hearing a Texas accent coming from a Japanese guy. I didn’t ask him if he voted for “W” (but wanted to).

I asked the driver if he was going to be dropping us at a larger bus, or if this was the tour. Yes, this was the tour.

We went up to the top of Monmartre, to this really cool church, looking down on Paris. Actually, we saw all kinds of shit, too much to keep track of. By the time the tour ended, and we were dropped off at the embarkation point of our river cruise, at 4:40, we were toured out. We had time to buy coffee & a brownie, and empty our bladders before the river cruise embarked at 5:00 p.m. The cruises left every hour. The boat was less than 1/5th full. Not for the first time, it occurred to us to wonder what our experience would’ve been “in season.” Some of the tour boats had seats on the roof as well as inside. Presumably, most of those seats would be filled during the summer. The departure/return point of the cruise was in the foot of the Eiffel Tower—I convinced John to accompany me there, & we paid €5 each to ride the elevator to the 2nd (out of 3) floor. We walked past the Disneyland-style snakey queues at the base of each of the four legs—in the summer they would all be full. We only had to wait for one elevator up, a blessing with our semi-lame tootsies.

During the bus tour, we had a 20 minute stop at Notre Dame. When I got back on the bus, the driver asked me if it was crowded, I was uncertain, so he said, in the summer there are lines. There were no lines, so I guess that it wasn’t crowded. In my opinion, it has been worth the cold weather (it was cold atop the Eiffel Tower) to miss out on all those fucked lines.

John lit a candle in Notre Dame. I watched silently & said nothing snide.

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The Amsterdam (and Paris) Trip, 2005 — Part 7 of 10

The following is a journal excerpt from my January 2005 trip to Amsterdam for the mounting and opening of my one man art exhibition at Mr. B’s. I will post a new section of the ten-part story each week. Enjoy.

7:10 a.m. Tuesday, February 1, 2005

We checked out of the Hotel Winston at 11:00 a.m., took the trolley to Central Station in order to catch our 12:56 train to Paris. The day, as all our days have been, was cold, overcast, and humid with occasional showers and even rarer patches of sun. John was almost finished with The Da Vinci Code. In the train station bookstore, he purchased The Da Vinci Code Decoded. I purchased the latest essay collection by David Sedaris, Dress Your Family in Corduroy and Denim. I read the first essay. So far, not as brilliant as his work in Me Talk Pretty One Day.

We were booked in first class, When we departed Amsterdam we had the car practically to ourselves. By the time we reached Paris, almost every seat was filled.

When the stewardess came by to check our tickets against our passports, she found a problem with John’s. He was booked as a senior citizen but he would not be 60 for another 2 days. She was unbending. “Two days—it could be one day. It does not matter.” John, of course, was pissed, was muttering under his breath periodically for the rest of the trip. “Happy un-birthday,” I quipped.

We arrived in Paris, at the Gare du Nord train station, at 5:05 p.m., the height of rush hour. We were both tired… train lagged. We were studying one of the wall maps, trying to figure out where we were vs where we needed to go. Also, we were trying to decide whether we should take a cab or buy a 3-day pass & brave the local mass transit. A swarthy young man, in his early 30’s, saw our plight and took us under his wing. He told us to take Line 5 one stop to Gar de l’Est, transfer to Line 7, and go two stops to Cadet (the stop our travel agent, Roberta, had informed us was nearest to our hotel). He then walked briskly across the station floor, beckoning us to follow—a problem for both J. & I—John following some distance behind, calling, “Where are you going?” I turned back occasionally, shrugging. We found the ticket window, purchased our 3-day Metro passes. As we staggered back toward the entrance to Line 5, our self-appointed guide re-appeared, gave us one last once-over, and declared us good to go.

I was paranoid about Parisians. One hears so much about how rude they are. In this case, our first encounter was quite positive. The young man made our negotiation of the Gare du Nord so much easier.

We then had to brave several flights of stairs, some up, mostly down, and what a down it was—I was carrying two 40-lb cases. Both were on rollers but that was no help on the steep, narrow, crowded stairways. As usual, each downward step caused shooting pains up my ankles. Then there was the added pressure of trying to keep out of way of other, more experienced, more hurried commuters.

The trip went quickly. Each time we reached a platform, our train was already waiting for us, and took off soon after our entry. We disembarked at the Cadet station at 6:00 p.m. I asked directions at a nearby news kiosk. I was told some French variant of “two,” and was pointed down the street we were already on. We found our hotel soon after & checked in by 6:30 p.m.

We are only going to be in Paris for two days. As we checked into the hotel, we booked a bus tour of Paris, leaving from the hotel at 8:30 a.m. We napped, woke almost simultaneously at 8:30 p.m., went out to eat at a nearby Italian restaurant, complete with a brusque, impatient French waiter. On the way back, we stopped at a local market, got some booze, some fruit & some water.

I’ve had difficulty sleeping the last 2 nights. The beds in Paris sucked, although they were probably better than those in Amsterdam. It’s reminiscent of the hotel in Rome we stayed at back in ’03—a small floorplan with only one tiny elevator & one narrow staircase. One can only imagine what a bottleneck that would be during the height of the season. It was made even worse by the elevators letting out between floors. In the lobby, one had to descend a half flight to the elevator. From then on it was 1/2, 2/3, 3/4, etc. We had the choice of 2/3 or 3/4—I liked 2/3, as it allowed us to climb (I get shooting pains on any descent), John preferred 3/4 (he finds climbing more painful).

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The Amsterdam Trip, 2005 — Part 6 of 10

The following is a journal excerpt from my January 2005 trip to Amsterdam for the mounting and opening of my one man art exhibition at Mr. B’s. I will post a new section of the ten-part story each week. Enjoy.

10:05 a.m. Monday, January 31, 2005

John is downstairs eating breakfast.

We went to “Getto” last night, to have the “bear” dinner. This turned out to be “Bearcelona Beef Stew.” We ate in the same back room as Thursday night. I was somewhat disappointed not to see very many other bears eating with us. Mostly young pretty straight people. Yawn.

The main concession to “Bearness” was a slide show, projected on the wall opposite me, of photos of naked bearded hairy men, frequently displaying hard ons. Nobody batted an eyelash, or expressed any sort of interest. I was surprised by my own reaction to the slideshow; It wasn’t, “At last… I’ve found my home!,” but “Jeez, do I have to look at this shit? I’m trying to eat.” It occurred to me, the problem with Amsterdam and its sex trade/sexual permissiveness is that Sex has turned into one more consumer item. Instead of “Big Mac,” it’s “MacBlow Job.” Sex is fitted into a tidy, mass produceable package: convenient, uniform, interchangeable, cheap and soulless.

Speaking of which, we visited the Sex Museum yesterday afternoon; three stories of pornography from throughout history and around the world. There was a room full of cheesy black & white snapshots and posed photos from the invention of the camera to the present day—explicit shots of men & women fucking. There was a documentary on a tape loop about the history of stag films. Gay erotica was also represented, including a wall display of Tom of Finland original drawings practically thumb tacked to the wall without any covering. Without repression, this material becomes utterly boring. It seems to need repression to have any charge. Or, at least, some mystery. It amazes me that I’m thinking this, since promoting sexual freedom is my main cause in life.

That’s the problem with the Dark Rooms… it’s too easy. That’s also why I’ve never enjoyed bath houses here in the USA. Maybe “easy” is the wrong word. If it’s so easy, why aren’t I getting laid? It’s that I don’t want to. I feel perversely unerotic, within this bombardment of commercialized erotica. I need conversation with my sex. I need to get to know the other guy, at least a little bit, and feel like they know me, just a little.

I finished Bangkok 8 this morning. I’m reminded of the Comic Book Legal Defense Fund fundraising cruise back in ’01, when my reading material for the trip was the novel Rebecca by Daphne du Maurier. Both books are strangely appropriate to their journeys—Rebecca was all about trying to read other people’s minds and change oneself to meet their inaccurately projected wishes. Bangkok 8 is a murder mystery set in the Thai sex/drug trade, a world of moral ambiguity and shifting paradigms. Actually it gives me an idea for how to write a “road” novel—there’s the novel itself, and whatever book(s) the protagonist is reading during the story. Its’ probably been done, though.

Once again, John and I crashed after dinner. I woke up around 10:00 p.m., dressed, drank the second Cannabia and went out, leaving John to watch TV, sleep, or whatever. First, I went to the Argosy, to check out whatever “Bear” action was happening. I was sort of hoping I’d run into BF&H and his two skinny skinhead pals. No such luck.

Then I went to The Cockring, to check out the absinthe thing—I had two shots, €6 each. It tasted like licorish, but had no particular effect. John later pointed out that, back in the old days, they’d kill half a bottle in a sitting.

In the basement dance floor, a male stripper went through his paces, to the appreciation of the packed room. He was Slavic, shaved head, masculine in spite of his shaved and oiled body. On the floor, immediately in front of the stage, a stoned young man danced lazily, facing the audience, seemingly unaware of the performance behind him. At one point, the stripper, in comic annoyance, rested his large semi on top of the other man’s head. The stoner continued to blissfully dance, oblivious to the object of desire laying atop his scalp.

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The Amsterdam Trip, 2005 — Part 5 of 10

The following is a journal excerpt from my January 2005 trip to Amsterdam for the mounting and opening of my one man art exhibition at Mr. B’s. I will post a new section of the ten-part story each week. Enjoy.

10:45 a.m. Saturday, January 29, 2005

The show opens at 5:30. We should get there around 5:15. Last night/this morning I woke around 4:00 a.m., got the idea I should write the same sort of blurbs for my large pieces that I had written for the matted sketches last week. I went into the bathroom to avoid waking John and did so on a couple sheets of notebook paper. I’ll take them down to Mr B’s when it opens at 11:00 a.m. I’ll ask him if he wants to use them & if I should do anything else to them. If he doesn’t need me around, my idea is to head down to the Rijksmuseum. I’d like to see some Vermeers.

8:45 a.m. Sunday, January 30, 2005

I delivered the pages of blurbs to Arjan, Han’s associate, when the store opened at 10:00 a.m. Arjan informed Johna and me that Han wouldn’t be in until 3:00 p.m., but they would enter my notes immediately into the computer so that Han could decide to do with them.

John wanted to buy a shirt similar the one I’d purchased from Mister B’s on Friday afternoon. Han had just bought 10 copies of TAF #2, and with that money, I decided to treat myself. The shirt was a black, short-sleeved military style, pressed, with lots of starch. John found none large enough for him in the store, asked Arjan where he could buy one. Arjan recommended 3 stores, the nearest of which was D.U.M.P. 2000, on the opposite side of Damark, the main drag/shopping street on the way to Central Station.

As we set out, the weather was overcast, cold, threatening rain, as it has been every day except Wednesday. Saturday’s weather was the most mercurial, veering from occasional sunshine to showers and sleet.

D.U.M.P. 2000 turned out to be a large, yuppified Army/Navy surplus type of store. John settled on a long sleeved XX Large military type shirt, black. While John shopped, it occurred to me what a contrast Mister. B’s was to D.U.M.P. 2000 & practically every other retail establishment I’ve ever seen. Mister. B’s is clean and austere. The wares are laid out in an almost Spartan fashion, and there’s alot of open space, allowing one’s eyes to rest. The walls are white with dark stained (or black?) timbers, except for the ancient, uneven brick wall that runs along the left side of the shop—almost an art mural in and of itself. “It’s older than the United States,” one of the “associates” quipped.

D.U.M.P 2000, like most retail establishments, inflicts sensory overload. Too many items are crammed into every available space, with mirrored surfaces confusing things even further. For instance, at one point I lost track of John in the store. I couldn’t see him even when a clerk pointed me in his direction & John himself called out to me.

Next, we took the trolley to the Rijksmuseum. The trolley let us out on the opposite side of Museum Square; we had to walk at least a quarter mile. Our feet were already starting to hurt by the time we bought our tickets and entered the gallery. John asked a docent where the water fountain was (so he could take his pain meds). He was informed that there was no water in the museum. So we left, had lunch in the nearby Van Gogh Bistro and, thus fortified with “The All-American Cheeseburger” and dosed with our various meds, we returned to the museum. We spent a couple hours checking the partial collection (most of the museum is still being renovated). I was somewhat disappointed. They had only 2 Vermeers on display. One of them, however, was “Woman in Blue Reading a Letter.” I’d been fascinated by this painting as a child. My parents had a framed print of it hanging in their bedroom.

At the end of our visit, we stopped in to the museum shop. John got the idea of getting a thank you gift for Han. John felt that Han was an exemplary host, had been extremely generous with his time and support. Frankly, I wasn’t sure if it was appropriate to give Han anything. Part of me was suffering from the suspicion that this whole thing is the gallery version of vanity press—I’m paying for it all. Mister B’s takes absolutely no financial risk, while demanding a 40% commission. However, I kept silent about my misgivings. I merely said, when asked, that I had no idea what would be an appropriate gift; and if it were up to me I’d give nothing.

I’m not proud of this attitude. I hope, if Han reads this, he’s not offended. It says more about my untrusting and ungrateful nature than any offense on our host’s part, I’m sure.

John remembered Han telling us he collected Art Deco glassware, and wanted to try to find an appropriate piece, or, perhaps, an art book on Amsterdam glass. The books were all too expensive (€60–€80). We settled on a small goblet for €25. I agreed to split the expense, but insisted John be the one to do the gifting, since it was his idea.

We stopped by Mister B’s on the way back to the hotel, at about 3:00 p.m. Arjan (pronounced “Aryan”) informed us that Han was unavailable as he was being tattooed (by Jim, the resident tattoo artist from Scotland that we had met the previous day). He continued that the staff had printed out and laminated all my blurbs (mistakes and all). They were ready to be attached to the appropriate artworks when Han emerged from his tattoo session, at around 4:00 p.m.

I returned to Mister B’s at 4:20, ready for my closeup. Hans and I applied the laminated blurb cards to the bottom right or left corners of the framed pictures. After that, we went up to the business office on the 3rd floor, worked out final inconsistencies on pricing. Han then printed out a final price list. (Note: Get a copy.) John arrived shortly before the party started, at 5:30 p.m.

The party was moderately well attended. The wine and hors d’oeuveres were laid out on the sales counter on the street level. My matted sketches were laid out alongside copies of TAF #1 and #2, on a narrow 4′ tall, 8′ long metal table in the center of the mezzanine area that usually holds leather wrist gauntlets & such. I set up my camping stool in a slightly out-of-the-way area of the mezzanine next to that table and did portrait drawings for all of the patrons who wanted them. I got Wim, the owner, to sit for me when he strolled by to see what I was doing. I made a point of complimenting him on the layout of his store. I shared with him the insight I’d gotten in D.U.M.P. 2000 that morning.

Around 6:30 or 7:00 p.m., Wim interrupted the festivities to give a speech. He praised my artwork and the “atmosphere” it brought to his shop. He remarked about the convenient range of prices, and gave a little pep talk about having this sort of work displayed in one’s home. I was sort of miffed that I wasn’t invited to speak also, although I had to admit it was polite of Wim to deliver his speech in English. But I felt like a bit of a 3rd wheel at my own party. Only 4 or 5 of the attendees spoke to me. John and I had decided in the morning that I shouldn’t take any Provagil (a drug John takes to help him stay awake during the day). It has the side affect of making one overbearingly talkative. Unfortunately, I may have erred in the opposite direction. But I made conversation with those who seemed interested in talking to me.

One man asked me which was my favorite piece. I hemmed & hawed settling, finally, on “Night on Balled Mountain”—somewhat arbitrarily, as I was vacillating between feeling shades of mediocrity (to quote the Paul Simon song “Homeward Bound”) and over-inflation. Plus, as I told another guest, there are things I like and dislike in all of my pieces. “Night..,” for all its virtues (as John pointed out) doesn’t read from a distance. The shading doesn’t direct one’s eyes around the image, focusing one’s attention, as it does in the Rembrandt and Vermeer masterpieces we had seen that afternoon (and as in most of the painting there—it’s a tritism, but still true, that sthe Flemish painters were masters at depicting light & shadow).

The evening’s bummer came in the form of an attractive youngish (she later said she was 35) Black woman (light mocha, actually), Deirdre. She saw me sketching, asked what I was doing. “Sketching you, actually,” I said, got her to sit for me. It turned out she was simply walking past Mister B’s, saw the lights and decided to see what was happening. She was all for gay rights, though—she loves gays. “You’re the finest, gentlest people on Earth,” etc. etc. I tried to bring her down gently about how being gay doesn’t necessarily make you wonderful, but she wouldn’t let me get in a word edgewise. It soon became clear that she was flying solo in her own plane of existence. She had her own agenda, which seemed to be imbibing the free wine and letting her simmering resentment & hostility bubble out at odd moments. I finished her sketch. She was pleased with it but refused to take it from me. She got up for some more wine; John took her place in the chair.

I had been avoiding wine, as I was on my last day of antibiotics. Finally, I gave in and have a glass. There was nosh-food but nothing to keep the wine from affecting me rather strongly. I found myself talking to an attractive man from the suburbs. We were into each other, but it wasn’t going to go anywhere. After awhile, we ran out of conversation (unlike most of the Dutch I had met in recent days, his English was limited). We were leaning silently against the checkout counter which was serving as the bar, when Deirdre re-appeared on my other side. Now loosened with liquor, she began to flirt with me in an aggressive manner. “You’re a very attractive man,” and such. She was making me nervous—I actually found myself blushing. She saw this and commented on it teasingly, amused at my discomfort. John, who had been standing on the other side of her, intervened. I introduced him as “my spouse.” This only put her off slightly, but, gratefully, shifted her attention from me to him. John generously undertook the burden of that attention.

Her latent hostility began percolating back to the surface. She raised the issue of American insularity and provinciality. This was exemplified by the fact that most Americans can only speak one language. I had no argument to make since, other than English, I only speak enough Spanish to get me in trouble. John, however, is somewhat fluent in Portuguese, and began trying to converse with Dierdre in it. She, somewhat chastened, had to admit she didn’t know any of that language, and withdrew.

John and I decided to split before the party was over, around 7:30. Han had come over, thanked us for our gift (which he had previously taken upstairs, to be opened later). John reiterated his thanks for Han’s hospitality, aid & attention, and offered to return the favor if Han ever made it to Los Angeles. We asked if he could recommend any restaurants that serves Danish cuisine. He recommended one on the other side of Damark. We said our goodbyes to Wim and the other staffers (most of the guests had split), and left. On our way out the front door, one of the Staff teased us about the ditching the party before it was over, us being the guests of honor & all. He struck a nerve in me, causing another round of self-flagellation that John had little patience for.

We searched without success for Han’s restaurant. We discussed settling for one of the others we were passing. John insisted that he was treating me for dinner to celebrate my successful opening—it was “my party.” So emboldened, I decided on a restaurant we had seen Friday night, a restaurant that seemed to serve Danish food. The posted menu was reasonably inexpensive, but it was on the other side of the red light district, near the waterfront. Footsore & hungry, we took the trolley to Central Station, attempting to find the restaurant coming from the opposite direction of the previous night.

The restaurant which we found was “The Grand Cafe” or “Restaurant de Kroonprins.” (It was pricey: €52.50, not including tip). I promised to treat J. on his birthday.

We returned to our room around 9:30, wiped out (J. had been falling asleep in his tea). We decided to go to sleep. If I woke up in time, I’d go out, perhaps to The Cockring, the gay bar that John had visited previously. He had reported that it serves absinthe, a drink I’ve always wanted to try, at €6 a shot .

I awoke at 12:30 a.m.—John fast asleep so I went out alone. On a whim, I stopped into the Argosy (another gay bar) first. I checked my jacket at the door, bought a mineral water (I had a tickle in my throat that made me paranoid about relapsing). I visited their “Darkroom.” This turned out to be a maze constructed in the basement. It was dimly lit, with low ceilings and little wooden cubicles where couples could retire for a degree of privacy. Men would stand around looking at each other, not talking (or whispering, as if in a church), listening to the impassioned moans of the encublicled couples. It occurred to me that this was the precise opposite of a turn-on, as far as I was concerned. Bored and dispirited, I decided to leave.

However, I discovered I had lost the claim ticket for my jacket. The claim check guy, a stocky Filipino with white spiky hair, asked by way of proving that it was actually mine, to tell him what was in its pockets. I couldn’t remember anything, so I said, “Nothing.” “Wrong,”he said, “There are things in the pockets.” He told me I’d either have to wait until the 4:00 a.m. closing to get my jacket, or return at 10:00 a.m. when the bar opened. It was 2:00 a.m. I decided to wait. I was paranoid about somebody else walking off with my jacket. I’ve had it for 20 years. It’s practically falling apart, but I love it.

I sat around, waiting for time to pass. I mentally wrote the remainder of “Harry and Dickless Tom.”I pondered what I wanted to do with the rest of my life. Three guys from England were standing directly in front of me—two small, skinny & bald (shirtless) and one bald and fat with a long, frizzy red goatee and hairy chest (seen through his open vest). I struck up a conversation with Bald, Fat & Hairy. He informed me that he and his buds were visiting for the weekend from the Midlands (Nottingham, Sherwood). He was quite proud & sure of himself, he was an ex-bear escort, and a model in various bear porn photos and videos—I could see them on , if I chose. When I informed him I was an artist, that my exhibit had just gone up at Mister B’s, he asked, “When are you going to paint me?” I turned him down, unable to predict J’s and my sched for Sunday. We talked politics, & the recent Presidential election theft. “You have to get rid of him,” he asserted. “We got rid of Thatcher, after all.” I found this annoying—I couldn’t disagree, but the question is, “How?” Also, they’re not doing so great themselves, as far as I can see. Tony Blair seems to be little more than W’s lap dog. I didn’t care enough about it to point this out, however.

At one point, the 2 skinny skinheads dropped their pants and began sucking and rimming each other right in front of me and anyone else inclined to watch. No one seemed particularly interested. I mentioned to BF&H that they could go downstairs; that’s what the darkroom is for. He said, matter of factly, “They want to do it here,” or something equally obvious.

Speaking of which, the Iraqi elections were held today, on schedule. There’s been a big buildup on TV the last few days. John and I had watched a nauseating Wolf Blitzer interview with Condy Rice about how this has been a “triumph for Democracy.” Neither mentioned that the Marines had to turn the country into a police state prison for 3 days for the elections to happen at all.

At another point, a young, skinny dark-haired man sat next to me. We struck up a conversation; it turned out he worked at Mister B’s. At this point he recognized me; I vaguely remembered him. But he was dressed in normal clothes, not the semi-military gear that is the uniform for staff members of the shop, so it took me a minute to make the connection. After a few minutes he put his hand on my thigh. “Sorry, dude, it’s not going to happen.” He apologized. I told I was flattered. I said that I regretted I didn’t feel the same. If I did, I could get laid. He said he was into older, balding guys who wear glasses and have hairy chests (describing me). I said, “If you don’t put your hook in the water, you’ll never catch fish.” He agreed and excused himself.

As 4:00 am approached, I stood by the coat rack, making sure that none of the departing men tried to leave with my jacket. Unlike bars in L.A., there was no “Last Call” a half hour prior to closing. They didn’t start shooing out customers until 3:55, to my annoyance. Finally, I was the last customer; The Coat Check Dude handed me my jacket. I curiously checked the pockets to see what was there that I didn’t remember. It was my hat and gloves. Duh! I was so pissed.

It is 6:15 p.m. I’m drinking a “Cannabia.” The fine print on the back label says “Cannabia is the first drink containing hemp to be brewed since 1996 using hand harvested organic hemp grown and dried under the Bavarian sun in Germany. The combination of organic roasted hemp & hops gives Cannabia its rare, delicious, hempy taste.” This is not necessarily a good thing—what I like about hemp is not its taste. Basically, it tastes like a heavy, dark ale, characteristically bitter.

Coincidentally, this is a Bear Party weekend in Amsterdam. Arjan, while we were prepping for the opening, informed us proudly that his boyfriend had organized “Fur Ball,” a Bear Rave at C.O.C., a Gay/Lesbian clubhouse in the area. To everyone’s surprise it sold out immediately. If John and I want to attend, we should show up early to get one of the 100 unreserved tickets. The party moves to the Argosy tonight. And there’ll be a “bear” dinner at “Geto,” which we’d observed advertisements for when we ate there Thursday night.

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The Amsterdam Trip, 2005 — Part 4 of 10

The following is a journal excerpt from my January 2005 trip to Amsterdam for the mounting and opening of my one man art exhibition at Mr. B’s. I will post a new section of the ten-part story each week. Enjoy.

8:45 a.m. Friday, January 28, 2005

We are doing the walk-in at Dr. Viruly’s office. Walk ins are between 8:00 a.m. and 9:00 a.m. We’ve only just arrived. We’re # four in an honor queue—no sign in, no taking of numbers. Her office is practically across the street (or canal) from Central Station. It took us more than 20 minutes to get here from the hotel, including two transfers on the trolley. I wanted to walk faster, but John wouldn’t have it. “Screw it,” I thought to myself. “It’s his walk-in.”

8:40 p.m., Friday, January 28, 2005

I’m in the Heeba Coffee Shop. I’ve purchased €12 of Moroccan hash, called “Sputnik” on the salesman’s menu. I rented a bong for a €5 deposit, which, hopefully, I won’t be too stoned to retrieve. John is back in the room, watching TV, listening to the book-on-tape version of The Da Vinci Code that I gave him for Xmas or whatever. Later we may meet in the Hotel Windsor’s lobby bar.

I feel I’m taking a risk getting stoned. It will either break me out of my negative head space or accelerate my downward spiral.

That is, if I can figure out how to work this bong.

I’ve just visited the barmaid. I apologized for being a clueless fool, but, “How do you work this thing?” She graciously cleaned the bong with a long white pipe cleaner, gave me fresh bongwater, and put in a screen. She said I could, but didn’t need to, hold my thumb over the side hole, then release it when I inhale.

Nothing yet.

I awoke this morning at 4:00 a.m.; couldn’t return to sleep. My mind kicked in, contemplating the impending failure of my enterprise, as well as its inherent worthlessness. I castigated myself for my inability to “have a blast,” as all my friends assured me I would prior to our departure. But how much fun can you have when your feet start hurting after a half hour? I mused about how worthless the Sanskrit healing mantra I’d just come off 40 days of chanting had been. “Om Apadamapa Hatarum Datarum Sarva Sampadam. Loka Bhi Ramam Sri Ramam Bhuyo Bhuyo Namam-yaham,” my ass. I thought about the Tricycle issue and its focus on pain, and beat myself up for my lack of diligence.

The book I took along with me for the trip is Bangkok 8 by John Burdett. I’d heard an interview with the author back in October, on Carolyne Casey’s “Visionary Activist” radio show. It sounded like a good gift for Mom, as she likes mystery novels. But this was before my post-election aversion to Xmas gift giving arose. Similarly, I chose not to give it to her when she spent the night in town last Sunday on her way to Antarctica.

The novel’s protagonist is a Buddhist monk/Thai police officer. He’s investigating the double murder of his partner and a Black American sergeant. The sergeant’s older brother, introduced late in the novel, theorized that one can either devote one’s life to money or to dick. It’s better to choose the former; it will take care of the latter. If you choose the latter (as the younger brother did), it will only take care of itself. I fear I may have chosen the latter myself.

After returning from Dr. Viruly’s office (she graciously wrote him a prescription for his pain meds, which we immediately filled at the recommended nearby pharmacy), we sat around our room watching TV and resting up for my 1:00 p.m. appointment with Han to supervise mounting the show. At 11:30 a.m. we were interrupted by Han, knocking on our door. He suggested that I come to Mister B’s now, to settle the financial aspects of the exhibition before hanging the artwork. We got it together, & went over.

John sat in with me on the meeting. It was held in Han’s office on the 3rd floor, overlooking Warmoesstraat (and the hunky construction workers hanging out of the 3rd floor of the building directly across the narrow street from us, close enough to toss love letters to). Han said Wim (his boss) may or may not demand that I pay the framing & customs fee bill up front. Han was confused & annoyed that the V.A.T. bill hadn’t arrived with the cargo fee. “Maybe they’ll forget about it,” I offered hopefully. Han looked doubtful. My hope was based on the fact that the bill from the Customs agent for his time spent with me (€70) had arrived.

We agreed to include the frames in the cost of the art, not giving customers the option of purchasing the art w/o the frame. We agreed to ship the artwork (unsold) back sans frames. It would cost in excess of €1000 to ship properly. There was absolutely no point in sending the glass covered (Plexiglas is 10 × more expensive in Netherlands) pictures back just to get destroyed en route.

After the meeting, John asked if there were any nearby public libraries. Han directed him to one near the Rijksmuseum, where John spent the afternoon.

I wonder if the Muslims in Amsterdam do hash in the coffee shops.

I realized I should’ve brought the matted sketches and TAF #2’s—resolved to do so later.

The mounting process lasted until 3:00 p.m.–3:30 p.m. It was more involved than I anticipated, and also less. It soon became clear that Han and his assistant’s requests for input were rhetorical. And I (silently) disagreed with their decisions about half the time. My major role turned out to be to rest my foot against the base of the ladder to keep it from sliding away from the wall across the hardwood floor while Han and his assistant hung the artwork.

I decided to accept my role as silent flunky. It took a surprising amount of concentration and mindfulness to, at any moment, choose between being helpful and getting out of the way..

I think I’m getting a buzz.

Later

I decided not to go to one of the nearby Gay bars. My reasoning was: I can’t bring anyone I meet back to our room, and I’m too paranoid to go to their place, I can’t drink because of the antibiotics, & it hurts to stand for too long. Plus, interacting with strangers while stoned isn’t necessarily a good thing. I returned to the hotel, where I ran into John in the bar behind the lobby. We sat around, chatting idly, listening to the music (mostly American rock and roll), observing the other patrons.

After a while, John and I returned to our room, watched MTV and an early episode of “Desperate Housewives.” Eventually he gave me a long, loving blowjob. Then as I went to sleep, he went out to check The Cockring, a near gay bar.

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Fundraiser for Stuart Timmons

Stuart was unable to attend the fundraiser intended to pay for extra physical therapy. All the ambulances were tied up with the wild fires in Santa Barbara and Montecito Counties. Plus, the air quality sucked (from the fires) and it was really hot (the inside of One Institute apparently lacks air conditioning).

I got to the fundraiser at 3:00pm. All the seats on the floor were filled. I had to kneel/stand in the mezzanine, which was also fairly crowded. In fact, the joint was jammed, inside and out. There was an article publicizing the event in Saturday’s LA Times, and coverage on KPFK.

The speakers were mercifully concise, which is not always the case in this kind of event. Also, the self-aggrandizement on the part of the speakers was kept to a minimum; people seemed to definitely want to be of service to Stuart, which was heartwarming.

Joey Cain(?) and Chaz Mohl(?) from the organization in ‘Frisco set up to minister to Harry Hay and John Burnside announced they were donating the $5000 left over after John Burnside’s death.

I was most interested in Bill Rosendal’s (?) talk. He reminisced about his 50th birthday party, held in the early 90’s, soon after the death of his life-mate. Stuart suggested using the occasion as a memorial for his spouse, and as a fundraiser for Harry Hay and John Burnside. As Bill spoke, I flashed on my attendance of the event. While there, I bumped into the punk/folk singer Frank. I complimented her on her song, “I Don’t Feel Romantic About You”, which I felt was an unjustly neglected class pop song. She found a guitar and played it for me right there.

Bill continued on about how thrilled he is that the young queer generation has been activised by the passage of Prop 8, and how masterfully the recent demos have been orchestrated via the Internet.

He informs youngsters coming to him for strategic guidance that he’ll support them as best he can, but won’t tell them what to do. The torch is passed.

Bill pleaded reduced financial circumstances, but pledged to donate $500 to Stuart’s Physical Therapy fund. (I had given John’s & my check for $200 to Ed Metley, who was stationed at the table in the courtyard selling books by the various speakers).

Trebor Healey, a friend from Stuart’s last job, read an unpublished essay on the queer punk/leather scene in the Early ’80’s. It was centered on the One Way, a Silverlake bar offering East Side refuge from the oppressive West Hollywood Disco scene. “Sigh”. The good old days

Felice Picano read an unpublished bit of gossipy dish. The anecdote was structured as if it were being told to a Hollywood Producer friend of Felice’s. It was about the time Felice saved Warren Beatty from getting an unwanted blowjob in “Flamenco”, a trendy 1970’s Manhattan disco. When I visited Stuart today, I asked him if he’d heard that gossipy tidbit. He nodded yes. I offered the opinion it was odd that Felice bothered “saving” Warren Beatty. I guess Felice must have been feeling perversely virtuous.

Terry Decrenzo read an edited version of a published story about trying to get her domestic partner, Betty, checked in to Cedars-Sinai for cancer treatment. They were appalled to find that they were expected to choose between “Married” and “Single” in this hospital in the Gay Capitol of America. Betty refused to give either answer, and demanded to speak to 3 different hospital administrators. Finally, the 3rd administrator promised to correct the oversight if Betty would sign “single” just this one time. Betty reluctantly did so, and assumed that the matter was handled. Prompted by a more politically savvy friend, Betty found this was not the case. She was fighting the battle for institution recognition of her domestic partner status until her death.

Derek Ringold did an excerpt of a performance piece he’s developing excoriating his brethren in the black community for helping pass Prop 8 even as they voted for Obama.

Each speaker introduced the next. Derek introduced Michael Kearns as his director on the performance piece Derek had just excerpted.

Michael did a reading of a monologue from the play “Jerker”. It was about one phone sex partner wishing he could take his friend on the other end of the line to a magical fairy tail kingdom where they could overcome various sorts of quest-time dangers and end up in a magic castle where they lived happily ever after.

Terry Wolverton read a short, touching poem about how it’s easy to bless the good in life but much more challenging to give thanks for the bad stuff, even though that’s part of life too, and should, I guess, be blessed as such.

Malcom Boyd read a poem by W. H. Auden, “September 1, 1939. The climax of the poem was, “We must love one another or die”.

Lee Metley gave a pitch for visiting Stuart at SunRay. He said visitors should do their best to raise Stuart’s spirits. One of Lee’s strategies for this was to wear outrageous hats. He then donned one of his favorite hats, black with a wide rim covered with plastic eyeballs, called “Here’s Looking At You”.