This drawing falls into the “minimal simplicity” category, in that I was trying to make my point with as little detail as possible. I suppose I could have gone even further and left out the body hair… oh well.
It was first executed in 2002.
This drawing falls into the “minimal simplicity” category, in that I was trying to make my point with as little detail as possible. I suppose I could have gone even further and left out the body hair… oh well.
It was first executed in 2002.
This is yet another drawing of the Hulk, this time executed in Photoshop.
This is a Prismacolor Pencil sketch of the Hulk’s boner. I used black and dark gray Tombo Brush pens to sharpen it up.
This is a Prismacolor Pencil sketch of my ex-lover Enrique, done from memory. I also used a medium gray Tombo Brush Pen for laying in the shadow areas, and judicious use of a Presto! Jumbo Correction Pen for the white areas. I was trying for a painterly effect; in such cases it’s useful to use paint. However, here, I didn’t want pure white (for the most part), so would draw back over it with Prismacolor.
This is a Prisma Color Pencil sketch of my ex-lover Enrique, done from memory. I also used a medium gray Tombo Brush Pen for laying in the shadow areas.
This is my depiction of the attempted rape of Bruce Banner in an NYC YWCA. The original story appeared in The Rampaging Hulk #23, published 1980. The story was written by Jim Shooter and illustrated without my inspiration by John Buscema and Alfredo Alcala. I read it at the time of its initial publication and wished it had been mine to draw; I’d have shown them how to do it right. Now, 47 years later, I’m taking a stab at it.
I did this Prismacolor sketch in 1981, in an 14” x 11” sketchbook. This is an erotic pose, if somewhat difficult to maintain. But necessary if one is being covert.
This drawing was found dumpster diving in a sketchbook from 1993, while I was working on “The Mark in America”, a serially published, never collected graphic novel I illustrated for Dark Horse Comics, published in early 1994. I was in my Jack Kirby phase at the time.
This drawing was found dumpster diving in a sketchbook from 1993, while I was working on “The Mark in America”, a serially published, never collected graphic novel I illustrated for Dark Horse Comics, published in early 1994. I was in my Jack Kirby phase at the time.
This drawing is of my late husband, John Callahan. It is dated July 11, 1993, which would have made him 47 years of age, 10 years younger than I am now.