This drawing is from a sketchbook I was keeping in the summer of 1992. I was going through a Jack Kirby phase, except that I made no attempt to imitate the style of any of his inkers.
This is an acrylic paint sketch, done in a 2012 American Express Appointment Book, as a part of my ongoing “Daily Derriere” series. I’m calling it “The Hulk” because (I’m told) Google search algorithms rank image posts higher if they include a title and text.
The second piece is a re-draw I did this morning (082116) that is more what I speculate the Hulk might actually look like if caught naked and posing just so. In fact, that would be a great idea for a Hulk adventure.
In my ongoing quest for abstraction and simplicity, I think I achieved apotheosis. A posterior depicted in 6 straight (or almost straight) lines and 2 circles. I executed this by painting the rim of a bowl and pressing it down twice. The lines were similarly done by painting and pressing a sheet of chip board.
This is another foray into simplicity, using the legs and buttocks of some hypothetical man as my subject.
As can be seen by the date, I drew this in 1992, long before I bought my first computer and painfully discovered the phenomena of discoloration at pages turning away from the scanner at the binding. This is india ink line and water color.
This is an image from my upcoming adult coloring book.
My soon-to-be husband, Richard, in bed reading. This is his favorite reading position: lying on his stomach putting his weight on his elbows. This is drawn with a ballpoint pen; you can see that I made his face too small to start and simply drew it larger on top of the old, too-small head.
Hairy guy on full display. I like the manner in which the cross-hatching (or squiggling) works together with the chest hair depiction.
This is a Prismacolor sketch of my husband, Richard Rangel, specifically his butt.
Buttocks depicted in ink wash, with a trace of red acrylic paint on the left leg.