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THE DAILY DERRIERE, JANUARY 11. 2016

The paper in the American Express Date Book (for 2012) I was using when I did these drawing 3 years ago in 2013 had such porous paper that the ink I had used for the January 10 drawing bled through and nike slightly the page underneath. Instead of fighting it, I used the properties of the crappy paper as part of the art for the next 3 day’s drawings. Today you get a double serving of derriere.

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THE DAILY DERRIERE, January 10, 2016

This is the second in the series of jock strap framed buttocks.

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THE DAILY DERRIERE, JANUARY 10, 2016

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THE DAILY DERRIERE, January 9, 2016

This is the first in a series of jock-strap framed buttock that plays out over several days. This one was done with cut pager. I like its simplicity.

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THE DAILY DERRIERE, January 8, 2016

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THE DAILY DERRIERE, JANUARY 7, 2016

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THE DAILY DERRIERE, JANUARY 6, 2016

 My newly acknowledged freedom in delineating female flesh on January 5th’s entry (drawn on January 5, 2013) lead me to study the work of Wally Wood, who was very good at drawing distaff tush.  This is crudely copied from one of his later works, pornographic adaptations of various fairy tales published in “Gang Bang”.

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THE DAILY DICK, JANUARY 5, 2016

It was around this time that I realized that my self-assignment of drawing a derriere every day didn’t necessarily restrict me to male butts.

One of the realities in working on such crappy paper is that paint bleeds through to the other sides as it wrinkles the page. It would be counter-productive not to use this in the creative process. In a way it’s sort of liberating; I don’t have to worry about whether or not the drawing is good because the crappy paper makes that impossible anyway.

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THE DAILY DICK, JANUARY 4, 2016

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THE DAILY DERRIERE, JANUARY 3, 2016